Christened Final Utterance
Music Michael Sutton Music Michael Sutton

Christened Final Utterance

Music

Michael Sutton traces a line through 60s and 70s electronica in a stream-of-consciousness style essay, while exploring the surreal nature of the current cultural and political moment. Bands and artists such as Silver Apples, Morton Subotnick, Suzanne Ciani, Laurie Spiegel form a part of his meandering.

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A Word on Poem Brut
Images, Poetry of Life Paul Hawkins Images, Poetry of Life Paul Hawkins

A Word on Poem Brut

Images - Poetry of Life - Project Jupiter

Paul Hawkins, who co-runs Hesterglock Press, reflects on the meaning and origins of the Poem Brut, an artistic and literary movement that celebrates artistic creative writing - embracing text and colour, space and time, handwriting, composition, abstraction, illustration, sound, mess and motion - affirming the possibilities of the page, the voice and the pen in a computer age.

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Five Visual Asemic Poems
Images Richard Biddle Images Richard Biddle

Five Visual Asemic Poems

Images

At the beginning of lock down last year, I started working on a series of asemic-inspired, abstract, A4 pieces. See below five of my more successful and, to my mind 'beautiful', efforts.

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Reflections on Editing
Society Askold Melnyczuk Society Askold Melnyczuk

Reflections on Editing

AGNI and Arrowsmith Press’s founder, Askold Melnyczuk, reflects on a life-time as an editor, revisiting the friendships and experiences that helped shaped his literary awareness.

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The Man Who Smells of Lemons
Poetry of Life Jude Marr Poetry of Life Jude Marr

The Man Who Smells of Lemons

Poetry of Life

“The Man Who Smells of Lemons” depicts a nonbinary figure who is never named, and who explores crumbling streets and buildings as an outsider; a ghost, almost; or a watcher who cannot connect. It comes from Jude Marr’s debut collection of poems We Know Each Other by Our Wounds (Animal Heart Press).

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Aletta Ocean Alphabet Empire
Images SJ Fowler Images SJ Fowler

Aletta Ocean Alphabet Empire

Poetry of Life - Images

Aletta Ocean’s Alphabet Empire (Hesterglock Press) is a collection of art poems, hand wrought in black, grey, silver and white, fashioned with Indian ink, paint and pen, worked with techniques that edge around writing, vying with abstraction, constantly harrying semantic meaning and legibility. My concerns are sex, poetry and pornography and the disconnect between the former and the latter.

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Spiritual Pathology
Transitions Rob Preece Transitions Rob Preece

Spiritual Pathology

Transitions

Ever encountered a guru who used his so-called “wisdom” for darker, more selfish needs? Practicing Buddhist and Jungian scholar Rob Preece speaks candidly about the psychological pitfalls of spirituality, explaining why seekers of spiritual truth can sometimes get caught in webs of self-delusion.

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The Future of the Oracle
Future World(s) Julia Greenway Future World(s) Julia Greenway

The Future of the Oracle

Future World(s)

Georgieva’s practice ranges from film to performance to installation, often incorporating herself as a character, pop icon, and/or feminine trope. Her work utilizes lo-fi materials and production to merge traditional, mythological, and historical themes with contemporary popular culture.

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Never Mind the Beasts
Fiction Marcus Silcock Fiction Marcus Silcock

Never Mind the Beasts

Fiction

Written with tremendous energy, Never Mind The Beasts (Dostoyevsky Wannabe) is Marcus Slease's debut novel. Beginning in Portadown, Northern Ireland during the Troubles, the book details the author's move with his family, as a small boy, first to Milton Keynes and then to Las Vegas before documenting his further solo travels trying to survive on the meagre pickings of a writer whilst teaching English as a second language in everywhere from South Korea, Poland to Turkey and, latterly, Spain (Madrid and Barcelona). Read an excerpt here.

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Are we Living in Disneyland?
Future World(s) Alex Mazey Future World(s) Alex Mazey

Are we Living in Disneyland?

Future World(s)

A shallow interpretation of our consumerism today maintains that we are all given an ‘illusion of choice’. Coca-Cola is Republican, and Pepsi is Democrat, with this key conceptualisation of politics as soft drinks pertaining that either choice is bad for you. However, it’s precisely that choice of substituting one product for another that, in turn, develops our identity from the culture of significance that holds us captive.

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