Surreal-Absurd Sampler Glen Armstrong
“I’ve been writing requiems for people I admire lately, some of them fictional, some of them still alive. These folks may have ended up on gum wrappers or Mr. Cobain’s t-shirt or Mr. Zapruder’s movie. They usually share a unique talent that still can’t compensate for a unique and profound sadness. These are a few of those requiems.” - Glen Armstrong
Requiem for Bazooka Joe
I never said there were gates in the sky.
The wild canaries just appeared.
Those were days I never wanted back.
I intended them as a gift.
I took off my jacket.
The goats that my neighbors tended,
as alive in the inch as they were
in the mile, ate flowers
under the train tracks.
The older boys in my gang
never used the word “love”
without a hyphen:
They’d be off playing their “love-trumpets”
or collecting “love-fuzz.”
I never took much stock in their stories
until one night,
drunk on Tickle Pink,
Mort perfectly described
diced love-onions
stewing in chicken broth.
Occasionally, not often, those boys
were right on the money.
Requiem for John F. Kennedy
It’s not a rendezvous or birthday
if I don’t get caught
licking my fingers.
Or maybe it is.
We attempt to deliver the requested
burgers and fries
to the domed structure
where the astronomer works,
but we cannot find the door.
There are no ugly men,
only ugly thoughts
and unquestioned context.
So you see, a harsh musk hangs
in the capital’s air for decades,
and maybe the Johnson
administration failed to take
the ancient Hittite spell
to exorcize the Pentagon
as seriously as it should have.
Maybe this astronomer
has the telescope focused
on something other than the moon.
Requiem for Daniel Johnston
The mind, as well, wants
what the mind wants,
distraction for example
or rest.
Testing.
Testing. Is this thing
(on?)
High culture and cholesterol
team up just
as surely as Doctor Doom
and the Red Skull
combine
their forces
to find that airplane key,
the one
that will unlock
a ghostly dimension.
All they manage
to steal is a photograph
of George Harrison
dressed as a rabbit.
In the end
true love uncaps
a felt-tip pen
and can’t help
but lovingly recreate
that picture of George.
Glen Armstrong holds an MFA in English from the University of Massachusetts, Amherst and edits a poetry journal called Cruel Garters. He has three current books of poems: Invisible Histories, The New Vaudeville,and Midsummer. His work has appeared in BlazeVOX, Conduit, and Otoliths.